Patron Economy: Who Really Pays for Chicago’s Culture?
CHICAGO — Walk through Chicago on a Saturday night and much of the city’s economy looks like a market operating exactly as markets are supposed to. Diners pay for tables at restaurants. Tourists buy museum tickets. Couples purchase theater seats. Collectors acquire paintings. Audiences fill concert halls. Behind each transaction is an apparently straightforward exchange: Someone wants culture, and someone else is willing to sell it. But follow the money far enough and the economics become considerably more complicated. Many of the institutions that make Chicago culturally valuable cannot survive on customers alone. Museums need donors. Theaters need subscribers and benefactors. Orchestras need patrons. Artists depend on galleries, collectors, foundations and grants. Even restaurants — perhaps the most overtly commercial component of urban culture — exist within an ecosystem supported by tourism promotion, neighborhood investment, corporate spending and the cultural reputation of t...